That album cover went on to influence future techies and software for decades. Lots of 3-D color blends and stylistic elements in design came from that album cover. As Paula Scher mentioned in her book Make it Bigger “I’ve often thought that the entire point of computer programs like (Adobe) Illustrator and Photoshop, based on the way they are advertised, is to enable anyone to create their own Boston cover.”
Also: enjoy the mental image of dinos with soft, kissable lips:
One of [Kosemen’s] main points of contention is the way that we consider dinosaur heads. “The reference has always been crocodiles,” says Kosemen. “The biggest thing is teeth and facial fat. Readers have to be aware that all dinosaurs they see in all media, and especially in popular culture, seem to have their heads flensed. They’ve always got these weird grins with only the teeth visible.” As he points out, most animals have lips and gums and lumps of facial fat that change the profile of the head, and cover the teeth. But in many predatory dinosaur illustrations, these are usually missing, making them look fierce, if improbable.
On the front lawn outside the enormous office complex there is a 50-foot marble statue of Steve Jobs losing a fight against a man-sized scorpion. The base of the statue is engraved with the words “Steve Jobs: Google User.”
The front doors of the complex open, and a man in a white jumpsuit walks out of the building and embraces me.
“Welcome to Google. It’s amazing to be with you,” he says. “My name is Upright Mammal. I am a human being who stands on two legs, which is good. I will be your tour guide through the incredible technology prison of Google. If you will follow me, there are limitless wonders to see and limited time in which to see them.”
I follow Upright Mammal toward the entryway of the colossal edifice. Immediately, I can tell I’m about to enter a place more beautiful than any of my children.